Teacup of Nihilism
This is the first one I'm actually disapointed with. I got ambitious and tried to write a song with a varied and ridiculous description of the "style". This is because I saw Suno extracting things like this from my previous samples, like "percussive beatboxing followed by bass melody", etc. I actually wrote the following from scratch:
Album oriented classic rock song, pomp rock, prog rock. D minor, 118 BPM. Intracate fingerstyle guitar part opening, swells into percussive distortion isolated with no other instruments, orchestral strings and hammond organ are added and swell to conclude in an a cappella intro hook, intro hook in 4 part male harmony, no instruments. Distorted guitar re-enters along with 2nd guitar playing bluesy hooks. Verse 1. Double time chorus with big band horns for Chorus 1. Fingerstyle guitar reprises. Immediate Chorus 2 at double time. Hook heavy bridge/instrumental interlude in 7/4 time, promiintent bass line. Complete style change for verse 2, lo fi electronic breakbeat drums, multiple build ups. Chorus 3, normal time, same instrumentation as previous choruses. Guitar solo. Chorus 4, same as Chorus 3. Outro, same chord progression as Chorus 3 and 4, with fingerstyle guitar slowly re-entering, becoming the only instrument, then the whole thing fading out.
And to be even more ambitious, I wrote the lyrics that follow from this too, before I ever clicked generate. I went through about 12 iterations on this 5 minute monstrosity, before I just called it good enough. (I actually took it into Ableton to try and save it, but nothing that I couldn't have ended up doing in the Suno editor).
I'm also starting to notice that the engine really likes to embellish and just plain noodle a lot. You're not going to get a "tight three minutes" from Suno.